This Week’s Font

Lea challenged me to draw an alphabet every week of 2010. And so I did! Some turned out better than others. Some are more original, and some are exercises in imitating existing typefaces. The title of this page is a reference to John Baez's "This Week's Finds". Links go to TTF files.
2010/12/31
Pilut
Rather blobby.
2010/12/24
Pines
Extremely pointy.
2010/12/17
Skatolo
Nonmonospaced pixel font.
2010/12/10
Wib
Potraced result of some fiddling in the Gimp.
2010/12/03
Babette
Still another hand-drawn, because I have too been busy/lazy to make anything any more refined.
2010/11/26
Blackbored
Another ridiculous blackboard-bold hand-drawn on the Wacom.
2010/11/19
Olvidar
Made of dots.
2010/11/12
Decatur
At the very end of 2004, I tried to study Chicago a bit, but it came out badly. I think this one went better. It's not really a direct imitation of Chicago the existing vector font, but an attempt to capture how I feel about Chicago the bitmap font. Feelings, man. Feelings.
2010/11/05
Pants
Sort of exploring the same cheerful casualness as with Cruikshank, but without a specific model, and with fewer wibbly concave bits.
2010/10/29
Crimp
A straight-line lowercase, which nonetheless suggests a curve here and there.
2010/10/22
Blorb
A goofy hand-drawn.
2010/10/15
Laminar
A fun little swoopy, didone lowercase.
2010/10/08
Handy (caps)
Uppercase handwritten letters.
2010/10/01
Spectrum
Another experiment in a square-fit sort of feel, in a very light weight.
2010/09/24
Handy
A scan of my normal handwritten lowercase. Yes, I have in fact trained myself to write two-storey gs every time.
2010/09/17
Dentor
Rounded outsides, pointy insides.
2010/09/10
Lloyd
Tall and sort of Art-Deco-y, at least according to my impression of Art Deco.
2010/09/02
Gevalt
An inky Hebrew alphabet.
2010/08/27
Scrip
Not legal tender! If you go to the wikipedia page on 'scrip' you get a face full of Papyrus, ew.
2010/08/20
Galena
Chunky and leaning a bit to the italic.
2010/08/13
Gauss
A somewhat rigid sans-serif lowercase.
2010/08/06
Minsk
Some blobby Cyrillic.
2010/07/30
Baklava
A chunky Greek alphabet.
2010/07/23
Facefont
An 'alphabet' of faces. A bit of a cheat, but certainly not a shortcut. The ones I did first are very rough, but I think I improved gradually.
2010/07/16
Resto
Based on some signange for a defunct restaurant near 12th and Market.
2010/07/09
Witt (caps)
Filled up Witt with caps and numbers and punctuation.
2010/07/02
Tonic
Somewhat squat, with octagon-y serifs.
2010/06/25
Putter
A quick sans-serif lowercase, with mostly constant weight.
2010/06/18
Derailleur
An experiment in reverse contrast.
2010/06/11
Witt
An unassuming slab serif.
2010/06/04
Patience
Pretty much an anti-blackletter sensibility except perhaps in its weight.
2010/05/30
Frack (caps)
Psyfe dared me to do caps for Frack, so I did them over the weekend.
2010/05/28
Frack
My first time revisiting blackletter since slavkäppen. I really like how the g, y, v, w turned out. Here is the reference I used.
2010/05/21
Tog
Tiny or absent counters in a salad of greek-ish letters and pac-mans.
2010/05/14
Colony
A soft, friendly uppercase, in contrast to the week before.
2010/05/07
Codex
A slightly-less-stabby but still very much straight-liney lowercase script thing.
2010/04/30
Admissible
A cramped, angular lowercase (!).
2010/04/23
Droplet
Letters built from ill-balanced swooshes.
2010/04/16
Bobbin
Warning: contains ridiculous ball terminals.
2010/04/09
Swab
A silly ultra-high-contrast sans.
2010/04/02
Quiz
The obvious constraint is using only 45 and 90 degree angles.
2010/03/26
Ditter
I made this one a long time ago, back when lea and I were first working on ditter-the-telegraph-key/twitter-interface, but it didn't really turn out to be the right style for that. Still, it's an alphabet, and I noticed I never put it up before.
2010/03/26
Markov
A very quick handwriting font, due to impending ICFP deadline.
2010/03/19
Silverfork
A tribute to the ubiquitous Copperplate Gothic. I didn't look at the original too much after making sure my C was appropriately horseshoe-shaped, and that my G was spiny in enough places. I'm happy to find that what I thought was an absurdly over-seriffed N in mine is actually comparable to the original. The real Q is kind of weird to my eye. I'm on the fence as to whether I like my two-overlapping-V version of the W better or not.
2010/03/12
Doppio
Not very consistent, but sort of fun anyway.
2010/03/05
Gravel
A chunky straight-liner, no skimping on serifs.
2010/02/26
Cobbler
A cheery cheap knock-off of tribute to Cooper Black
2010/02/19
Tase
Optimized for pointiness and top-heaviness.
2010/02/12
Bigfoot
A wide high-contrast face, with lovingly bracketed serifs. It could use some tweaking, but I am pretty happy with it. I have actually been working on it since the middle of January and cranking out lesser material while slowly producing it in the background.
2010/02/05
Shipping
A pixel font.
2010/01/29
Cruikshank
Studying the lettering from the animation work of Sally Cruikshank. Specifically, the opening credits to "Make Me Psychic".
2010/01/22
Quotient
Everybody's gotta try making a modular font a few times before realizing it's a terrible idea, right?
2010/01/15
Adipose
In a sculptural frame of mind — just chipping away from a black square.
2010/01/08
Carnitas
Those of you who know me (or who know early-20th-century geometric sans serifs) well will recognize what this is an obvious imitation of. As an exercise I did it from memory without looking up the actual font for reference, and I daresay I got reasonably close. Which is to say, I go to Chipotle way too often, but I already knew that. The elimination of the angled terminals on C, S, G was intentional though, for I really don't care for them. Apart from that I notice my M's middle sinks lower, the curves in my B, D, P, R are a bit squarer in general and in the P and R they are actually square and not curved on the insides.
2010/01/01
Kimball
A quick little monocase font named after the CTA Brown Line terminus. It is intended to be what it would look like if Gotham and Clarendon had a baby.